Tag Archives: EULA

R&R: The Live Sitrep [1.8.13]

HAPPY NEW YEAR, EVERYONE! MY NEW YEAR’S RESOLUTIONS INCLUDE TO BRANCH OUT BEYOND SMALL INDIE RAWK, PUNK RAWK SHOWS TO GIVE YOU A BROADER TASTE OF THE NYC DIY WORLD, TO PARTY HARDER, AND TO HAVE LESS TYPOS.

R&RPIC2

On Friday 1/4 I went to the Astro Nautico party at Free Candy. This party was made by how awesome of a venue Free Candy is. It’s a former parking garage decked out in neon paint, street art, and a separate room for framed art, with the current exhibition including large paintings of laser guns, splattered blood and ’80s-ish caricatures of Barack and Michelle Obama. Mainly bass-heavy electronic music was spun by Obey City, Paul Jones, Michael Jukeson, Chits, Time Wharp, Howse, The Range, and other special guests along with huge 20′ x 12′ video projections.

I didn’t get there until around midnight so I’m not sure what DJ was on, but it didn’t really matter. I was more in the people watching mode rather than partying mode, so I had a good time due to all the interesting characters who came out. The majority of the party was comprised of goofy college kids dancing, but there was also some goth kids, boys in skirts, and some seemingly local Brooklyn kids. When I arrived I went into the bathroom and overheard a conversation between two women, one reading her baby daddy’s text messages to another, followed by her telling me never to have a baby with an idiot (“but don’t get me wrong, I have an awesome kid!”), because then you’ll be stuck with him for the rest of your life. Good advice, ladies!

Astro Nautico has some cool merch you can check out here.

R&RPIX1

Saturday night (1/5) I caught hip hop kids, Tron! & DVD at The Bitter EndWhen you think about The Bitter End, “DIY” isn’t the first thing that comes to mind. Thoughts like “omg I have to go to fucking Bleecker Street?!” “Wait, I have to pay the cover and get roped into a 2 drink minimum if I try to sit down?” and “If any fucking foreign people try to feel my tits tonight I’m going to throw my unnecessarily spiky boot heel at their throat” are more common. But it was Tron! & DVD’s first NYC headlining gig, an act that has opened for K.Flay and Ghostface Killah, among many others. All their shows they book and promote themselves, so for this one night, The Bitter End really had DIY at heart.

As for their performance, they managed to turn a has-been, sit down, touristy type Manhattan venue into a real hip hop party. They’re 2 rapper brothers + DJ Munderville who are from upstate NY, in a neighborhood where squirrels apparently steal car keys. They were super personable, energetic, and entertaining: Tron! went and sat down at one of the tables and rapped to a couple girls sitting down, Tron! & DVD were asked to sign an autograph during their set, their DJ somehow jumped 10 feet high in the air, and at the end of the set Tron! bench pressed the mic stand mid song while DVD spotted him. It was something else. Catch Tron! & DVD with Lil Kids and Charlie Sima at Legion Bar Thursday, 1/24! 

 

Previews—————————————————

Tomorrow night, Wednesday (1/9), at Big Snow Buffalo Lodge is Advaeta, Kal Marks, Tom Blacklung and The Smokestacks, and Chat Logs. Doors @ 8pm. $7.

At Spike Hill on Thursday (1/10) there “will be only bands that actually kick ass, no questions,” according to Dan from Flagland. These bands are Vulture Shit, Lunchbox, and Flagland. It’s FREE! I’m really glad it’s an early show too (first band’s set is @ 8:30), so on Friday I can wake up early to smell some roses and watch some birds.

If you’re not feeling 2013 just yet, head over to Legion Bar Thursday for “What’s My Age Again? AGAIN,” where 1.21 Gigawatts and DJ Whyte Ka$tle will bring you back to our earlier days of Emo, Pop Punk, and Screamo. This week’s Guest DJ is BROKEN PROMISES. It’s FREE and you can even make requests on their Facebook event page!!

There’s also a Thursday post-punk banger at Big Snow Buffalo Lodge with Grooms, Heaven’s Gate, The Numerators, EULA and Bennio Qwerty. DJ Jason Sigal from WFMU’s Talk’s Cheap/Lame Drivers/Home Blitz will also be there. Doors @ 8pm. $7.

At Death By Audio Friday 1/11 is Parquet Courts, PC Worship, Household, Gal Pals and Priests. All Ages. Doors @ 8PM. $7.

Also on Friday, around the corner at Glasslands Gallery is Emil & Friends, Neighbors, and Silent Rider for $10. 

Bandshell Presents: Sparxx, Mind Dynamic, PVre Matric, Spirit Guide, and  GLA22 at 285 Kent on Saturday (1/12). Sparxx is on a roll playing great shows lately, expect a lot of glitter!

Also on Saturday, The Deliquency is presenting a show at Living Bread Deli with The Yellow Dogs, Shark?, EULA, The Denzels, and Radical Dads. It’s $10 with FREE Narragansett BEER. 8pm.

On Sunday is a Sugar Mama Bk Presents showcase with Sharkmuffin, Lunchbox, Sic Tic and Vivienne Eastwood at Big Snow Buffalo Lodge. Doors at 8pm. $7. Sharkmuffin just released their second single, the b-side to their upcoming 7″ check it out below…@Sugarmamabk

TONIGHT! THE DINGUS ANNIVERSARY PARTY

TONIGHT marks the first annual Dingus Anniversary Party to celebrate you, the DIY community.  Hosted by Freecandy, this weekend’s show is doubling as a Zulus record release party accompanied by Eula and Ferocious Fucking Teeth.  DJed by Casper Who Lives on the Beach and hosted in one of the finest lounges in Brooklyn the night promises battles between screaming guitars.  Doors open early for those looking to start the night with a few brews, at 8:30pm- just make sure to bring your IDs.  As always, ADMISSION IS FREE, so please join us in celebrating the blogs first birthday, gifts are unnecessary.  RSVP on the facebook event.

+ TRABAJO WILL BE FILLING IN FOR NT

+ PREGAME AT 830

+ LIL KIDS PRODUCER, LOPATO, ON THE VINYL

Soulbound V.11

Soulbound Volume Eleven by Various Artists   (New York, New York)

For the first time ever, our Soulbound series is recalling artists from the past, bringing you up to date on some of our favorite musicians careers.  Inviting back the likes of Harvey Eyeballs, Tours, Avidd and Seabiscuit to check in on their growth proved a rewarding experience.  Surrounded by this months favorite newbies, the core of our compilation is an eclectic genre whirlwind that will tickle every part of your audio heart.  We are proud, delighted and overwhelmed by the coming of our one year anniversary- and as for year two, Monday marks the start of another DIY onslaught.  [Free Download]  @Dingusonmusic

The Surprise Attack! Festival at Cameo Gallery

Yesterday I had the pleasure of attending the Surprise Attack! Festival at Brooklyn’s, Cameo Gallery. The event featured 14 bands (Dot Square, Beach Moms, The Nico Blues, Il Abanico, New York Rivals, Beast Make Bomb, Edelweiss, Slam Donahue, HITS, Team Spirit, Eula, The Suzan, Electric Sun, The Click Clack Boom) and went from 2pm-1am…pretty bold. It was a very nice day in Brooklyn which only added to my building excitement as I walked through the Lovin Cup and into Cameo Gallery. It was pretty loud and though I do like it that way, I have this growing fear of developing Tinnitus. So thankfully, a friend of mine recently gave me a nice new pair of ear plugs. I took them out of their case, grabbed a Red Stripe from the bar and walked over to the stage.

The Nico Blues were in the middle of their set and I was very impressed with them. Their music was very wavey, not surfy, wavey. Really smooth and flowing. I was very pleased when Il Abanico started playing, they are a band we like very much at Dingus. Juliana Ronderos’ voice was so beautiful it only accentuated the vision of being underwater. You see, above the stage was this big sheet with long strings hanging down. So whenever the right light hit it, it gave the impression of being underwater. Very clever. New York Rivals were up next and even before they started playing I knew I was in for a treat. I was hooked immediately. A Strokes-esque style band with a memorable performance. High energy and songs that get you moving. Edelweiss were the last band I was able to stick around for. Ever since I was introduced to their music a few months ago, I have been amazed by them. They are such a young band, not a single member over the age of 20 and they write such amazing music. They have an endless amount of talent and they don’t hesitate to bring it forth during their live shows.

After Edelweiss performed, it was time for me to head home. As I was making my way towards the door, I happened upon New York Rivals’ guitarist, Erik Rudic. I told him how much I enjoyed his set and he was kind enough to give me a cd. A perfect parting gift. The second I got into my car I popped it in. As I was listening I looked up and saw a swarm of zombies coming my way. I know this sounds odd but I promise you that it’s the truth. Unbeknownst to me, it happened to be the day of the New York City Zombie crawl and I somehow got smack in the middle of it. It was literally like a scene out of 28 Days Later. There were hundreds of people walking through the road, slamming their hands on my car, dripping fake blood over my convertible top (which I didn’t really care for).

Anyway, as I was driving home I listened to New York Rivals debut album. I even took a little detour to ensure I could listen to a decent amount of the album. It;s quite an amazing album and I highly recommend you get one for yourself. That’s one thing I love about live shows. You are introduced to bands you may not be familiar with and to your surprise, you find your new favorite band. With 14 to choose from, I think that everyone who attended found at least 1 or 2 that they added to the top of their list. Lovecat

Eula (From Home)

The Brooklyn indie/punk scene is a wasteland littered with talent. Bands struggle for survival while the fit stand tall in the sandstorms. Join me as I talk with Alyse Lamb, singer of local rock outfit EULA, one of the few alpha-bands on the scene.

 

 

Dingus:  Can you briefly narrate Eula’s history?

Lamb:  I met Nathan and Jeff at music school in New Haven, CT.  I had recorded a bunch of demos at the recording studio on campus, so I hesitantly showed them… I was super shy about it.  They ended up really liking the demos so we formed EULA.  We actually started as a 4-piece.  I was playing guitar, along with Nathan, with Jeff on bass and a series of non-committal drummers.  Nate eventually hopped on drums and we have been a 3-piece ever since.  Early on we played and toured around the Northeast incessantly, all the while writing and writing.  We kept getting invites to play Brooklyn so we eventually moved there in 2011.  I love Brooklyn’s kinetic energy and really supportive DIY music scene.

EULA is a sporadic project that constantly shifts energy.  Where does this personality derive from?

I think our shifts in energy can be attributed to our wide-ranging of musical influences.  When I was growing up, my mother always took me to the ballet or theater,  so I was exposed to classical, romantic, neo-classical music (Satie, Debussy, Stravinsky etc.) at a very young age.  When I would get home from the ballet, my brother would be blasting Wu Tang, N.W.A, Tribe, and my sister would be blaring Lisa Lisa or Duran Duran (she only listened to artists with two names apparently).  So my youth was musically-diverse.  I love the energy and movement of hip hop or straight up new wave dance pop but I also love the beautiful and cerebral classics.  I think this comes out in our performance as well as songwriting.

The genre combination, which I’d dare to call a car crash, creates a very unique personality and sound.  The songs on Maurice Narcisse are, without question, tied by aesthetic while remaining dynamic.  Is there a significance to their arrangement on the album, contextually, poetically or compositionally?

I think one of the greatest things a band or a group of musical performances can do is weave through genres effortlessly.  Some artists do it from album to album, but I wanted to create a 10-song composition that had dynamics while remaining aesthetic.  ”Maurice Narcisse” is a character I created that represents our society’s scary obsession with narcissism.  ”Me me me” mentality is really frightening to me, so these songs are sort of an alarm call.  Alarm calls come in a variety of different forms, so each song on the album is written in a different style or arrangement.

Do the songs each address specific issues?  Are the issues cultural or personal?

There is a healthy mix between cultural and personal on the album.  For instance, “Honor Killer” was written about the honor killings happening to gay men in Iraq, and I believe it goes straight back to a person or group of people thinking the insane notion that their “way” or viewpoint is the best “way” or viewpoint.  It’s disgusting.  And then tracks like “Hollow Cave” and “Canyon” deal with very personal narcissism, how humans have the capacity and power to negatively affect another person’s life if they choose to exercise that power.

In one line, what is the main sentiment of the album?

Never be indifferent to the plight of others.

(First three Photographs by Eric C. Groom)

 

Lets lighten it up a little bit.  How does EULA compose?

As of late, I’ve been writing and recording songs in my apartment, quietly, then I bring them to Nate and Jeff and we flesh it out with drums and bass at our practice space.  I guess this is the tiny-brooklyn-apartment way of writing.  Originally, in Connecticut, we had a huge space and lots of room and time to practice, so it would be a mix of Nathan and I writing together and separately, which was a lot more organic.  So strange how your physical surroundings totally affect the writing process.  I think these new recordings will reflect a much different vibe than our last record.

What’s in store for EULA’s future?

We are going to release a 4-song EP within the next couple months, followed by a few five-show mini tours up and down the East Coast; perhaps out West a bit.  And, in the not-so-distant future (I hope) I want our asses playing in Europe.  However I think my booking abilities only extend to the U.S. so signing on with a booking agent would be most delightful.

(Photograph by Chris Mather)

Bone Density (Sunday’s Best)

‘Bone Density’ by EULA  (May 24, 2011)

EULA shows a more progressive side with this slowed single.  ’Bone Density’ captures elements of trip-hop, rare in the Brooklyn punk genre, and redistribute them in a more aggressive form.  Combining somber vocal lines with throbbing beats and crying, industrial distortions, it’s nice to see a more refined side to the scene.

- Big Boss

Maurice Narcisse

Maurice Narcisse by EULA   (May 24, 2011) *

Yeah, yeah, yeah, there are enough shitty bands rocking in the same mode as EULA to stack a week long show.  Don’t believe me?  Just go to CMJ and walk around the lower east side, for the most part, it is that show.  With the exception of the headliners who have stopped in town to get a piece of the action, New York City is stacked with aesthetic rip offs more worried about how cool they look.   But not EULA.  Maurice Narcisse is an album that brings alittle style to the genre; alittle bit of style that shows talented craftsmanship hard at work.  They aren’t ripping off the same tired punk moments without re-thinking each step.  In fact, it may be the things they don’t do on this record that set them apart.

- Dingus